Monday, 2 September 2013

Human Rights Office Marking 20 Years

This article originally appeared in the Queen's Alumni Review Magazine

When Irène Bujara was appointed to take charge of a Human Rights Office (HRO) at Queen’s in 1993, she never dreamed the office would grow to its current scale.

The HRO was established as a response to then –Principal David Smith’s advisory committee. Bujara stresses that without the support of the advisory boards that have supported the office, it would not be celebrating its 20th anniversary this fall.



Originally established to deal with issues related to race, the HRO now works in collaboration with the ­Equity Office to address topics of harassment and ­discrimination on the grounds of race, colour, ethnic ­origin, sexual orientation, discrimination, disability and gender identity.

The corridor walls of the HRO, located in Mackintosh-Corry Hall, are filled with colourful paintings by renowned artist, Leo Yerxa. Bujara, who directs both the HRO and the Equity Office, feels that art is a powerful medium through which human rights initiatives can be highlighted. Thus the staff has come up with the idea of celebrating the HRO’s anniversary by using art to comment on issues of social injustices.

Says Stephanie Simpson, Artsci’95, Ed’97, MEd’11, the HRO’s Associate Director, “Marking an anniversary for this kind of operation is a strange idea. Initially, we sat around a table and puzzled over how we can celebrate it. It’s not as if clients who’ve come to us would come back. It’s not going to be cakes and balloons and reunions.”
This painting by renowned artist Leo Yerxa served as the starting point for the Human Rights Office's mosaic project. All artists were invited to collaborate and create a piece of art that represents women empowerment and survival using this image as their starting point of inspiration.

In order to draw interest from the Queen’s community and to shed light on human rights issues, the HRO decided to create a mosaic by calling for various artists’ interpretations of women’s strength in the wake of ­gender based violence. All the accepted pieces will be incorporated into a large display that will be exhibited at a reception on campus on September 24. There will also be a speaker who will discuss the ways art can be used to create awareness of social issues.

Bujara says, “Even though Queen’s and the HRO have come a long way, we still face challenges, given the fact that the University’s principalship changes every five to 10 years. Any new principal takes time to get ­familiar with pertinent issues.”

Today, the HRO staff includes Catherine Wells, PhD’01, the Special Projects Coordinator, and Margot Coulter, who is the Human Rights Advisor with a focus on sexual harassment prevention. They, along with Simpson and Bujara, say they are looking forward to this fall’s anniversary celebrations and to future campus initiatives that will promote awareness and positive action on human rights issues.


Book Review: And the Mountains Echoed


Khaled Hosseini rose to fame with the phenomenal success of The Kite Runner and A Thousand Splendid Suns, which depicted the war-torn terrain of a wounded Afghanistan, and the fragile relationships between father and son, as well as mother and daughter.


Hosseini’s third book, And the Mountains Echoed, is another tearjerker filled with heartbreaking emotions, and the yearning for redemption. Set in rural Afganhistan of the 1950s, Hosseini immediately engrosses the reader through the narration of a folk tale about a farmer named Baba Ayub, whose son is kidnapped by a vicious demon. This introductory story serves as a sort of warning or foreshadowing of disastrous events to come.

The narrator of this story is a hardworking labourer, Saboor, who is later forced to give away one of his children. Abdullah and Pari are two siblings who have an inseparable bond but are torn apart as one of them is sold to a wealthy couple in Kabul. The novel then recounts the many repercussions of this separation and how it intertwines with, and affects the lives of future generations across the globe.

Unlike The Kite Runner and A Thousand Splendid Suns, which followed the lives of a few central characters, And the Mountains Echoed is narrated by a new character in each chapter. Although this new style of experimenting with different characters may seem a bit complicated, Hosseini beautifully seams each chapter together into one coherent whole.

In addition to Abdullah and Pari’s stories of love, loss, and betrayal are many sub-stories that all echo the central themes of the novel, which are loss and family betrayal. There is the story of Parwana and her twin sister, filled with deep seated pathos and jealousy; the story of the narcissistic Nila Wahdati who dares to defy traditional Afghan values and flees off to Paris; the life of a boy Adel whose father steals the land of Abdullah’s family; and the relationship of a social worker with a woman whose face has been scarred brutally by a dog bite.

The different stories intersect with each other, and depict the many strands and variations of human emotions across diverse cultures. Each story can stand on its own, but the way Hosseini connects the different dots in his poignant style, leaves one yearning for more. The introductory chapter is the most powerful start to a heartrending story, and leaves the reader racing through the pages in anticipation of how the characters will strive to achieve redemption.

The uniqueness of the novel lies in the complexity of the characters and how Hosseini brings them to life. The writer gives each character depth, and one can relate to each protagonist’s heartbreaks, failures and desire for atonement. The novel takes you on an exciting globetrotting journey as you start from Afghanistan and explore Greece, America and Paris through the eyes of a new and enigmatic persona. Even though most of the novel is centered in Europe and the United States, Afghanistan plays a central role in the hearts of all the characters. Much like his previous novels, Hosseini portrays how a person’s ties to their home country are never completely broken. Afghanistan keeps resonating in each person’s mind, is imprinted in their souls, and echoes like a nostalgic yearning.

Although the book is undeniably absorbing and captivating, Hosseini seems to be sticking to the same tedious formula that aims to tug at the heartstrings of his readers, through the tale of fractured relationships and the destruction of Afghanistan. In many ways, the book explores the same themes and relationship dynamics explored in the previous bestsellers. It’s almost as if the book is designed to be made into a movie, guaranteeing commercial success. Nevertheless, it will leave you teary eyed, and longing for more. It is definitely a compelling summer read!

This review was originally published in the The Queen's Journal

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